top of page
FEEDING STRAYS

FEEDING STRAYS

$16.95Price

ISBN: 978-0-9800289-5-9

Pub Date: Sept. 2009

Pages: 268


By Stefanie Freele


A woman hides from her husband in a fish tank and another absently bakes sponges inside her tarts. Appliances drop from the sky, men grapple with chainsaws, women struggle with hormonal violence, and abandoned boys beg on doorsteps. Enter into the territory of broken people and the folks that love them. Sensitive and unruly, sincere and absurd, Stefanie Freele’s Feeding Strays is a collection of fifty short stories, both slipstream and modern, about children, family, relationships, and oysters.


I am so happy to find a writer saying things that only she could say. Stefanie Freele’s stories are full of surprising details, some sweet and strange, some sharp and close to the bone. She writes about women and men and babies. She writes about the things he carries (in his briefcase), the things she swallows, the way this baby floats in the air and the way that one makes a break for it. Lemon zest, unexpected dehumidifiers, pewy diapers, the salsa that speaks to us, frozen wildlife, too much to mention. Most of these honest and innovative stories are also very short. Freele knows how to make every note count when she names that tune—just this much and not a word more. Open this book and discover that sometimes a man in a banana suit really is just . . . well, you’ll have to find out for yourself.

—Ray Vukcevich, author of Meet Me in the Moon Room

    Feeding Strays is wonderful, full of strange, original invention. Never a cliche, seldom anything even resembling a wasted word, full of surprises, and in all ways gratifying. Motherhood didn’t seem to get in Ms. Freele’s hair or her computer in the slightest, except perhaps to reinforce what was lurking in the bottom of her mind, waiting to be let loose.

    —David Wagoner, author of A Map of the Night


    As its title suggests, Feeding Strays is a deeply compassionate collection. Stefanie Freele has a knack for capturing stray moments in her characters’ lives—moments most writers would overlook—and charging them with a strange and wondrous grace. These stories will unsettle you, inspire you, and make you feel part of the greater human family.

    —Gayle Brandeis, author of The Book Of Dead Birds, Fruitflesh and Self Storage


    These expert, graceful mini-portraits of the life-jostled, the uncallused, and all the others who struggle with familyhood, are moving, sensitive, funny, and true. Stefanie Freele is a writer with a grip on the human spirit.

    —Deb Olin Unferth, author of Vacation


    How I love the stories of Stefanie Freele for their endless surprises, their lemon-tart humor, their beautiful-ugly characters. I’m not always certain how she accomplishes her magic—her stories as quick as a shell game—but I am certain that you will set down this book as I did, with a hurt heart and a curious smile.

    —Benjamin Percy, author of Refresh, Refresh and The Language of Elk


    Stefanie Freele was born and raised in Wisconsin and currently lives in the Pacific Northwest. Recent and forthcoming work can be found in Glimmer Train, American Literary Review, Night Train, Literary Mama, McSweeney’s Internet Tendency, The Pedestal Magazine, Dogplotz, and Hobart. She holds an MFA from the Northwest Institute of Literary Arts: Whidbey Writers Workshop. After serving as the 2008 Writer In Residence for SmokeLong Quarterly, she joined their editorial staff. Stefanie is also the Fiction Editor for the Los Angeles Review.

    bottom of page