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Poetry pays off

Local writer wins Idaho Prize

Emily Simnitt
The Idaho Statesman | Edition Date: 04-20-2005
Local writer Alvin Greenberg loves his job — and it's paying off.

The poet/novelist/essayist recently won the national Idaho Prize for "Hurry Back," his latest collection of poetry. The prize comes with a $1,200 honorarium and publication of the winning book, which you can pick up Thursday at a book launching/reading/signing at the Log Cabin Literary Center.

This summer, Greenberg is off to an artists' colony in Switzerland for three weeks with his wife, Janet Holmes, who is also a poet and teaches in the MFA program at Boise State University.

He'll spend the remainder of the year working on a "novelistic notion brewing for a long time."

You'll have to wait to see what this is all about — "I don't like to talk about projects I'm working on. It drains the energy," Greenberg says.

But he was more than happy to sit down for an hour to talk about "Hurry Back," his life as a writer and the status of poetry in today's culture.

Greenberg moved to Boise about six years ago when his wife took the BSU teaching job.

Before that, Greenberg taught English courses for 34 years at Macalester College in St. Paul, Minn. He calls himself a late bloomer, not coming to writing until he was in his 30s, after he'd worked on a graduate degree in English literature.

How did you get started writing?

"The problem with being an English major is you spend your time reading great literature and you look at what you've written and you see this incredible gulf. I'd come to that moment and quit.

"Then the impulse to keep writing would return. Each time I went back the gulf didn't seem as big. I don't know that the gap closed, but it no longer seemed big enough to discourage me."

You write poetry, fiction and non-fiction essays. You say you don't consider yourself a regional writer, so what inspires you? What are your influences?

"Everything. It's not that there's no landscape in my writing. There is. But there's also influence of ideas, other writers, the things that influence all of our lives, like world politics and those other two great themes: love and loss.

"There are a number of poems about loss in this collection, but there are a lot of poems about love, too. I like to think the book moves in that direction, from loss to love.

Is there anything in particular that's happened in your life to bring you to writing about these topics now?

"There are always things happening in our lives. I don't know if I want to get into a lot of details. I think for any of us, there are things that become central to our emotional lives.

What is your advice to aspiring poets? Is there a place for poets in our culture? Why should people read poetry?

"There's probably more poetry being written now than there ever has been in history, more poetry books being published than ever before. What we're missing is people buying these books.

"People should read poetry for the same reasons they read fiction and nonfiction, because, as famous poets have reminded us in the past, it's got the news. It's about who we are. I don't think any one genre has a lock on it. We're all trying to do the same thing.

"Read, read, read. It's the equivalent of the real estate professional saying, 'Location, location, location.'"

So what's on your to-read list? You mention other writers as forces of influence in your own writing. Who are these writers?

"We've recently lost three wonderful writers: poet Robert Creeley, novelist Saul Bellow and Frank Conroy, one of our great non-fiction writers. I may not have been reading them this week or last, but they've been people who've influenced me my whole life.

"We were in San Francisco recently and went on our usual book buying binge at City Lights bookstore. I picked up the new Ian McEwan novel "Saturday," a posthumous collection of A.R. Ammons (one of the great poets of our time), and "Extremely Loud and Incredibly Close" by Jonathan Safran Foer. Right now, they're sitting on a chair. I look at them every day and think, 'Soon.'

"I'm a slow reader. It's an indulgence. I'm not in any hurry. There's no way I'm going to have time to read everything I want to read."

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